Meta:Cultural References
Appearance
Each city-state was seeded by a founding cohort — people the AI pulled from a particular part of our world — and taught by survivors of the old one. Nine centuries later, each city carries an inherited resemblance to the places its cohort came from, and a faint modern layer from what the survivors remembered. These references tell you where to look for the texture of a place: the shape of a roof, the cut of a coat, the way a hall is laid out. They are not equivalences. Clearhold is not Yunnan; Eldershore is no place in Africa. Where the reference and the world disagree, the world wins.
| City | Founding cohort | Aesthetic reference | Modern layer | Governance model |
|---|---|---|---|---|
| Shining Reach | North European and colonial American | 1700s colonial and Rococo architecture and dress; European baroque and classical composition | High-fashion styling; dubstep | Roman-style republic with a senate |
| Forgegate | Mughal Indian | Red sandstone and white marble, cusped arches, jali screens; Hindustani classical music | Industrial styling; industrial music | Meritocratic guild republic |
| Stormharbor | Norse, Celtic, and Anglo-Saxon | Stave timber construction, carved dragon finials, angular carved inscription, over 1700s colonial tailoring; Norse and Celtic vocal tradition, work songs, skaldic recitation | Techwear styling; death metal | Thing assembly |
| Eldershore | West and East African | Laterite stone, carved dark hardwood, kente geometric patterning, tropical coastal architecture; West and East African percussion and vocal tradition | Afropunk and streetwear styling; lekompo and rap | Elder council and lineage halls |
| Clearhold | Yunnan, Himalayan, and Korean mountain peoples, in successive waves, with a small Japanese admixture | Upswept gray ceramic tile roofs, bracket systems, painted geometric patterning on timber, verandah walkways, dry rock gardens; East Asian court and folk music | Kireime and salon-kei styling, jirai-kei as a counter-current; K-pop and J-rock | Examination bureaucracy |
| The Iron Coves | Mixed — nobody's and everybody's | 1700s sailor's slops and salvaged timber; sea shanty and work song | Visual kei, emo, and olderbrothercore styling; screamo, emo, midwest emo | None; might makes right |
How to use this
- Use the aesthetic reference for shapes and materials: architecture, garment construction, instrument types, ornament.
- Use the modern layer for attitude: what the young wear to make a point, how a hall performance is delivered, why a Shining Reach record has a drop in it.
- Appearance does follow the cohort: after nine centuries the people of each city still visibly descend from the population it was seeded with. Eldershore's people are Black; Clearhold's are East Asian; Forgegate's are South Asian; Shining Reach's and Stormharbor's are white, the latter of Norse and Celtic cast; the Coves are everyone's descendants at once. Image prompts should say so, or the tools will default every city to one face.
- Do not use the references for character. A Forgegate craftsman is a Forgegate craftsman. Naming a real-world ethnicity in a Teraell story as an explanation for how someone behaves is the category error the Bible warns against.
- The music descriptions on each city page explain what nine centuries did to the inherited tradition. Read those before scoring anything.
See also
- Meta:Conventions
- The Fall and Year One — why any of this is here at all